Turnkey workstations were additionally supplied with a WACOM tablet, a Barco Reference Calibrator self-calibrating or Personal Calibrator monitor and SCSI RAID storage, though stripped down versions were also available. After version 7.0 the Chameleon was also used for accelerating certain colour correction operations.įor the release of Creator 6 Barco also added a Brush-accelerator board that made retouching with large brushes on files of several hundred megabytes possible. Its main purpose was displaying CMYK colours on the ( RGB) monitor quickly. This was replaced in early 1993 with the more powerful "Chameleon" board, integrating the discrete logic of the Colcom board in a custom ASIC.
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It is unknown if Creator will run on the later Octane2, Fuel and Tezro workstations with VPro graphics.ĭue to its high end focus Barco developed several dedicated hardware options to speed up Creator.įor the Power Series and Crimson Barco originally supplied a "Colcom/ VME" colour computer board, a fast multi-dimensional interpolator. Later releases were available for the Indy, Indigo2, 02 and Octane computers.
By 1993 "Personal Creator" was available for the Indigo, while the "full" Power Creator ran on a Crimson. One must keep in mind that the internet was just coming of age, and the whole prepress/magazine industry was almost exclusively based on film photographers and a film workflow.Ī typical hardware setup with Indigo2, 12x18" WACOM graphics tablet and 29" (2000x1600) Barco Calibrator monitor.Ĭreator originally ran on Silicon Graphics Power Series computers with one or more processors. Optionally one could order interfaces for Hell and Scitex and Scitex online file formats.įor the earlier versions, at least, the primary output were CT RGB ( Scitex CT to be exposed on film recorders as LVT and Fire 1000) and CMYK formats (to Scitex, Hell, and IT8). Interfaces for Creator CVW files, TIFF, PSD (no layers) and EPS/DCS were standard.
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One could for example disable both colour correction and the creative functions/filters, giving the operator an interface more focused on painting.Īs of Barco Creator 7 support for foreign (non-Barco) file formats depended on a dedicated software "interface". Using the "Brix Organizer" software it was possible to group CT-Brix modules into "sessions" customised for the current workflow. Optional software modules included "PrintView" (preview a given CMYK printing process), "BlackSmith" (modify CMYK files to reduce ink usage, better print quality) and "InkSwitch" (convert CMYK into special ink separations for packaging printing).īarco ColorTone adds an "Image quality estimator" module (evaluate if an image is printable according to certain quality parameters), but lacks several of the other Creator modules. On top of this Creator added the "Creative functions" libraries (special effect filters mosaic, emboss, b/w, warp etc.), "basic brush" module (size, thickness, shapes, styles, pressure sensitivity), "advanced brush" module (brush profiles, textures), "basic colour correction" module (gradation correction, pick mixer, plane mixer, colour mixer), "advanced colour correction" module (chain all of the basic correction tools, batch corrections, instant preview) and finally the "auto mask" module. The base for version 7.0 was the "CT-Brix" software library (colour selection, basic compositing, selection, transformation, shapes, basic colour correction, densitometer, layers etc.), also featured in other Barco Graphics CT (continuous tone) products, e.g. ( October 2016) ( Learn how and when to remove this template message)Ĭreator was set up to be a modular system, tailored to the specific needs of each "shop" or user. Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources.
Its lineal successor, known as Esko ColorTone was discontinued in 2013. In the end Creator was abandoned, like many of its contemporaries Dalim Tango, Linotype-Hell DaVinci and Alias Eclipse. After the release of version 7.1 in late 1997 there were few new sales. While Creator could rely on superior features and performance to justify its price through the mid-1990s, as time progressed each new Photoshop version made the Barco package harder to sell. Still the price was in the $10k to $100k range depending on options, and additional hardware was sometimes needed to speed up specific operations. Originally targeted at the "high end", Creator evolved into a slightly more mid-market program with the "personal"-edition running on the Indy. Barco Creator was one of the first products to run on off-the-shelf SGI workstations instead. Until the late 1980s digital retouching required specialized hardware such as the Quantel Paintbox.
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